I first met
Jade Esteban
Estrada in New York City when he and I were
celebrity judges (with
Michael Musto and Wolfgang Busch) at the Alien Love Ball, a Valentines
party that could have only been hatched in the mind of Yolanda, back in
2003. Next, I reviewed his (at that time) current show
ICONS: The
Lesbian and Gay History Of The World Vol. 1, and have had the highest
respect for his talent since.
Jade is a writer/ recording artist/ comedian/ dancer/ choreographer/
director and stage performer that NBC called “America’s Prince of
Pride,” and Outlook Weekly called “one of the finest solo theatre
artists of the 21st century.” Jade lent his voice to the "Being Out
Rocks"
(Centaur) compilation CD in 2002, joining such artists as Cyndi Lauper,
Sarah McLachlan and Taylor Dayne, and was awarded the Premio Estrella at
the 9th Annual Encuentro Awards in Miami for outstanding visibility and
achievement in the entertainment industry.
While still touring with his show "ICONS: The Lesbian and Gay History of
the World," a one-man show he wrote and starred in, Jade was contacted by
The Department of Gender Studies (University of California at Berkeley).
They were familiar with his work and thought he was the perfect
candidate to bring transgender history to the stage. “I was so honored
to be asked,” Jade said in our recent interview, “and writing and
performing this show has been an unforgettable experience.”
In "Transworld! The Transgender History of the World," which first debuted
in November 2005, Jade portrays Joan of Arc, We Wah, Gertrude Stein,
Sylvia Rivera, Christine Jorgensen, Brandon Teena and RuPaul. Most
recently, it received standing ovations at the IFGE TG 2007 convention
in Philadelphia and NERP Conference in Cape May, NJ, earlier this year.
I caught up with Jade recently to discuss the show, its origins and what
he has learned from it. Here are some excerpts of our discussion.
Brianna Austin: What inspired you to write "TransWorld?"
Jade Esteban Estrada:
The trans community inspired me to write "TransWorld!" Portraying Sylvia
Rivera in my show "ICONS," I learned more about her every time I walk
onstage because of what she represents to so many different kinds of
people. Audiences are not often familiar with who she is but most leave
the theatre commenting that she was their favorite. It’s very
interesting, I like to meet the fans after the show and [something that
had never happened to me in my gay show business life is that] for the
first time ever I started to naturally develop a strong, honest
connection with the trans community as a result of my portrait of
Sylvia. It was so fluid that it almost happened without me noticing.
More than a few times a trans person has grabbed my hand after the show
and said, “thank you for including Sylvia.”
I was touching upon something deep in some of the audience members and I
wasn’t sure what it was, but I knew it had a lot to do with the truth of
Sylvia’s life. I lovingly call her the break-out star of "ICONS."
So when I wrote "TransWorld!" I was thinking of Sylvia as my Lisa Bonet or
Kelsey Grammar; someone that needed to leave there current show as a
supporting role and be given a leading one. And Sylvia is my leading
lady in "Transworld!," although, she gets some serious competition with
Christine Jorgensen, who also was an incredible human being. She’s one
of my all-time favorite roles.
BA:
What has been the most unexpected surprise from doing the play?
JEE:
I think the most unexpected surprise has been the genuine interest from
the non-trans community. When you enter my theatrical world, I hope that
my respect for the trans experience is contagious. It’s hard to
criticize someone with true conviction and self-worth. "TransWorld!" is
seven stories of strength.
BA:
How do you relate to trans people?
JEE:
For me that’s a very broad question and I’m going to tell you why. In
social circles, they are my friends. In the academic and political
activist world, I tend to listen more when I’m with them because I am
cautious about not hindering my own education about the community I am
working to represent. They relay a perspective I have not experienced.
Because I play both male and female characters in my work, I have had
people refer to me as “she” when I’m in traditionally male attire and no
make up. I never correct them because although it is important to let
people know how you want to be addressed, I also think there is a lot to
be said for how people perceive you. When I read online once that “the
transgendered performance artist
Jade Esteban Estrada was coming to
town” I just said to myself…”hmm…that’s interesting.”
There are no absolutes in this world. That’s what my dear friends in
this community have taught me. They’ve taught me to listen more acutely.
I relate to them with respect and gratitude. I believe they are people
the world has a lot to learn from about life, love and dedication.
BA:
What have you learned from "TransWorld!" that you previously didn't know
about the trans community?
JEE:
I’ve learned that trans people have a great deal of strength, courage
and dignity. They don’t hide from themselves or other people and you
have to -- regardless of where you are coming from -- respect that
innately, I believe.
There is also the lesson of gender and sexuality. That should be as
important as the separation of church and state.
BA:
What's next for Jade?
JEE:
“Impersonating Sappho” is a collection of stories I’m writing from my
days on the road touring "ICONS: The Lesbian and Gay History of the
World, Vol. 1." I’ve got some good stories to share. A large part of the
book will be devoted to my growing admiration for Sylvia, Oscar Wilde,
Gertrude Stein and of course, Sappho.
I would like to continue my journey through transexuality and its
history. I’m also interested in entering the theatrical world of
intersexual exploration.
BA:
Jade, Thanks for taking the time out of your touring schedule for this
interview, and all the best of success going forward.
JEE:
It's been my pleasure, thank you.
If you would like to see
Jade
live, check his
touring
schedule.
©2007
TG Life