"TheatreASAP,"
that annual tribute to hard-and-fast deadlines
as creative
inspiration, once again produced an
evening of strong 10-minute plays.
The six scripts were
written Friday night, handed over to actors and
directors Saturday morning and unveiled for an
enthusiastic audience at the San Pedro Playhouse
Saturday night.
Each piece offered a
strong, clear vision, well-executed by the
actors. They were aided in a few spots by Rick
Malone's sound effects.
The evening was
presented by the San Antonio Theatre Coalition,
and hosted with goofball charm by Joe Libby.
First up was playwright
Ric Slocum's hard-edged "A San Antonio Rupture,"
in which a group of barely literate junkies
(Tony Campbell, Joel Crabtree, Gabriel Ruiz and
Nikki Young) celebrate finding crystal meth in a
purse one of them stole from a church parking
lot. The piece takes a turn when their leader
winds up overdosing, and another prays over his
body. The play, directed by Kathleen Lovejoy,
got things off to a bracing start.
"Packing Memories,"
written by Allison Orr Block and directed by
Sharon Renee Shepherd, was funny and moving. In
it, an older woman (Varda Ratner) rebels as a
two-man crew (entertaining turns from Matthew
Byron Cassi and Edward Gallardo III) pack up her
home; her grown daughter (Lisa Renee Hart) has
decided she can't live on her own anymore. The
mother has a flashback to the daughter's birth
that is powerful for both women.
"In My Hands, The
Stars, The Stars" — written by Guadalupe Flores
and directed by Lou Garza — took a clear-eyed
look into the difficult backyard reunion of a
woman's foster children (Jade Esteban Estrada,
Martha Prentiss, Alicia Tafoya, Julie Vaquera
and Express-News Managing Editor Brett Thacker)
after her death.
Estrada was especially
strong as the mentally disabled son.
"The Birthday
Surprise," written with typically twisted wit by
Antoinette Winstead and directed with a great
sense of tone by Art Peden, had a pair of women
(Mellissa Marlowe and Mary Robinson) trying to
bring a third out of a funk with a gift: A
shirtless young man (J.T. Urick) they've bound
and gagged just for her. Winstead teases out
information about these women slowly, giving the
pay-off — they're cannibals — a big impact.
"Where in Bexar is
Agapito?" — a screwy, entertaining piece written
by GRITO (husband-and-wife team Grisel Acosta
and Vincent Toro) and directed by Chadd Green —
had the feel of a B-movie. It opened with a
woman (the marvelous Anna Gangai) in a tizzy
over the loss of a sacred artifact; it turns out
the artifact was a hollow clown head swiped by a
pair of tourists (David Omar Davila and Heather
Kelley).
The evening ended with
"Inside the Loop," a bittersweet piece written
by James Venhaus and directed by Catherine
Babbitt. It traced a relationship backward, from
its heartbroken finale to its beginning. It
featured strong performances from Gregory
Hinojosa and Sara Larson as the couple and W.
Chris Champlin as the new man in her life.
It was a terrific
evening, and, as usual, whetted the appetite for
next year's offerings.