Without a doubt, the
best entertainment dollars I have spent this year went to
ICONS:
The Lesbian and Gay History of the World, Vol. 1 by the
brilliant entertainer
Jade
Esteban Estrada. Soon to be an icon himself, Jade has been
hailed by Genre, Advocate, and Out not just for being a gay entertainer,
but for entertaining people with gayness.
"What's that?" Gayness as entertainment? Gay history, gay
spirit, gay pride ... pink triangles, Stonewall: these are the foci of a
show that might have been as dry as the pages of a history book, as
uplifting as a Hillsborough commissioners transcript. Except ...
Except we are talking about gay history here, folks. Oscar Wilde and
Ellen, Michelangelo and Sappho. If there is one thing gay icons are
known for throughout history it's arts and entertainment. Nobody is more
suited to sharing this history of our glitter and oppression than
Estrada, a fully accomplished singer, dancer and hilariously fearless
stage personality.
The show opens with the complete removal of any fourth walls as
Estrada
engages the audience in a quick chat about their favorite gay icons.
Then, before your very eyes, on goes a wig and BZAM! Meet Sappho.
If I were a lesbian, I think I could have related to Sappho. As a gay
man, I know I could.
Estrada bookends his show with Lesbian icons, and
his impersonation of Ellen drew thunderous approval from women in the
audience.
Don't worry, this isn't a drag show. Not really. Sappho evaporates
before your very eyes into a stunningly handsome young artist, who
paints lyrics in the air that would melt the hardest stone.
"A world that is
changing, It’s not about God anymore, It’s about us and where
we’ve been, Renaissance open the door."
Suddenly,
Estrada becomes
the embodiment of that special passion that burns within us all, turning
the spotlight on the effervescent soul, gay or not. As Gertrude Stein
pauses to remind us a bit later, "It's not a gay thing." It's
a rose, dummy!
It's also amazing how much history
Estrada can slip in when he's
wig-swapping and shoe-shifting his way through one great song after
another.
Estrada's wit and on-stage banter could possibly rival Oscar
Wilde, who sings:
Then fate said, “Hey, Oscar take a ride with me downtown!
It’s really very silly how we’ll turn this place around.
Then I said “Fate, Why, I’d love to!
Shall I get my hat and cane?
My soul will be lost but theres so much more to be gained!
Estrada should be recognized as a historian and educator, as well as an
entertainer. He works the miracle of both in a seventy-minute, one-man
extravaganza, a work of art and labor of love launched by the ballsy
artist in small town Ohio - not that something like this could stay
there for long. Like Warhol,
Estrada makes you laugh, think and believe;
he says there is something wonderful in each of us. The world is ready
for these ideas, and has been for a long time.
Walking in the back gate at home, we were still talking about the
characters, passion and talent literally jumping off the stage. Most of
all was the happy, satisfying feeling of an extremely well rounded meal
- one that was made with ingredients that are good for you too! Somehow,
in between the drag gags and world-class song and dance numbers,
Estrada
teaches us that the struggle for rights and equality is age-old ... and
continues today in a county near you!
Too bad for you, too, if you missed "ICONS" (or any of the other amazing
shows to be seen in Gypsy Productions' beautiful theatre).
Estrada is
truly a masterful writer and entertainer, multilingual and
multi-talented, and absolutely worthy of sharing a stage with the greats
of gay art and history. Like fireworks, he dazzles and dashes on to his
next lucky audience - leaving our beaches for Pride events across the
country and then a world tour.
We can only hope that
Estrada comes back to the Gypsy stage with "ICONS
2." You won't want to miss that one either.
©2005
Tampa Bay Gazette
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